Hi all. Just letting you know I have an article on blogging published in this month’s edition of WQ, the Queensland Writers Centre newsletter. If you’re a Queensland writer, I recommend joining the Centre – lots of useful information in the newsletter each month, including competitions and opportunities, as well as thoughtful and up-to-the-minute articles. Happy reading!

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New love

Look at this ship, look at this lovely ship! I spent yesterday attacking her with a hair dryer. Well, actually a heat gun, but it works like a hair dryer, with low and high settings. If you turn it too high, bits of the hull start to smoulder; too low and you’ll never dry the timber where the iron keel meets the wood, and if you paint over it like that it’ll rot. So. Hair dryer. I’m not going to tell you all about Duyfken now, because I’m hoping this is the start of a beautiful friendship. But check her out here – she’s really special.

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Loving it

I’ve been thinking a lot about something I said in my Cavewoman post, and that Say Gudday said in response – we “love” caves. Say Gudday talked of spending a lot of time in caves as a kid. As a PhD candidate, an academic, a professional, an adult, I’m not supposed to say I “love” something – too unscientific, too undifferentiated, too childish. “What, precisely, is the emotional quality of this ‘love’? From what characteristics of the object, and of you as subject, does this ‘love’ result? Are you sure you’re not talking about the sublime? ”

Kids, on the other hand, feel free to tell you all the things they “love”, from Mum and Dad to icecream to One Direction to horses to rollercoasters to the Harry Potter series. I suppose they mean something slightly different when they use the word “love” in each of those cases. Often, though, I think what we express with our “love” is the sense that something catches our imagination. Like most kids, I love tall ships, steam trains, narrowboats on canals, old bridges, kites, pirates, gypsies, magic, The Force, mirrors, locked doors and forgotten keys, myths and fables and fairytales, dreams, fossils and crystals, volcanoes and cyclones, and all manner of other things that grab my imagination and transport me to strange places. Why is it that, as an adult, if you express “love” for any of these things you’re likely to be labelled either flaky or a nerd? Are we supposed to grow up too cool to have our imaginations captured? Something went wrong with me, then: I’m a dyed-in-the-wool multi-hued ultra-flaky super-nerd.

I love observatories where you get to look through telescopes at objects like The Jewel Box open star cluster and the Hamburger Nebula (both around 6,500 light-years away). I love snorkelling, seeing more species of fish and sponge and soft coral than I will ever be able to name, no matter how much I pore over my Sea Fishes of Australia. I keep tadpoles for the delight of seeing them (eventually!) turn into frogs, and stick insect eggs for the fun of seeing the hair-fine hatchlings swarming over each other to escape into the big world. I love metamorphoses and transformations. I love museums and old cities, because of the sense that people were walking these streets or handling these artefacts hundreds and thousands of years ago. And I love caves, because they challenge me to think unthinkable thoughts about the time-scale of the earth and the cosmos.

So, back to the problem of analysing, particularizing, articulating, the particular kinds of joy it is possible to experience in the face of places: jouissance, plaisir, the sublime, beauty, immanence, transcendence, being-in-the-world? Philosophers and literary critics have been hard at it for centuries. It’s quite daunting to be trying to add my mite to the pile.

But I’m loving it.

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Worth a look

A bit of a smorgasbord of people’s reflections on their relationships with places: http://blog.talkingphilosophy.com/?p=1186

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Beautiful blog

Just thought I’d share Jeffrey Foltice’s blog with you – he lives in Michigan and posts glorious photos of wildlife and landscape. Check it out: http://photonatureblog.com/

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Cavewoman

I’ve been telling people I’ve been in a cave for the past few weeks – otherwise known as the PhD Confirmation process – and the metaphor has reminded me of how deeply (pun!) I love caves.

I’ve seen the Wombeyan caves, the Undara lava tubes, and the Kelly Hill caves in Australia, and Waitomo Glow Worm Cave in New Zealand, but my favourites by far are the five Jenolans I’ve managed to visit (Lucas, River, Imperial, Temple of Baal, and Orient). I’m not in the league of serious cave-explorers (spelunkers, potholers, cave divers), but I get excited about the stories caves tell to those who can read them, who are willing to translate them for geological illiterates like me. Stories told on unimaginable timescales. Stories about the movement of earth, the action of water, the formation of rock, climate change, meteors, volcanoes, tectonic collisions, over millions of years. I love the air in caves – still to the point of stale, damp, smelling so strongly of limestone it’s like breathing liquid rock. I love the dark, the quiet, the sound of dripping water which speaks to a different kind of life from that of the sunlit green world above. And cave decorations – shawls, columns, straws, helictites, cave pearls, stromatolites, pools, flowstone – can take my breath away.

I was challenged at my Confirmation Seminar to explain the kind of awed joy I experience – and believe others experience – in the encounter with a physical landscape feature such as a cave. Was I talking about the sublime?

I’m not comfortable with the sublime as a term, given the many shades of meaning it has picked up through being handled by so many philosophers. Certainly in a cave there’s something of the “agreeable horror” originally implied by Ashley-Cooper, Dennis and Addison, who were describing their individual encounters with the Swiss Alps. Caves, mountains, the ocean, the night sky, tell us how small we are in the scheme of things, and that’s both terrible and wonderful. As Douglas Adams said, “if life is going to exist in a universe this size, the one thing it cannot afford to have, is a sense of proportion”.

There’s also the hint of threat in a cave, stronger for some than for others. My dad, for example, can’t do cave tours because he can’t bear the idea of all those tonnes of earth and rock above his head. It’s not a fear but a phobia – a combination of claustrophobia, and something more specific about depth underground. In the same way I’ve been known to have panic attacks in multi-storey buildings, sensing all those floors of air beneath my feet. It’s not that Dad believes the rock will collapse, or that I think I might fall through those storeys of air. It’s just an intolerable awareness of the nature of the space around our bodies. Fortunately for me, I don’t get that sense of threat underground: I find caves deeply peaceful, and at the same time exciting. Alien/Other, yet not – the stalactites and I are equally real and valid elements in a universe of matter, energy, space and time.

Is that the sublime? I don’t know yet – but having been told to take six months longer than planned on my PhD, to do justice to the ideas involved, I have high hopes of working it out!

 

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Book review – The Alphabet of Light and Dark

Writing Bar, the Sydney Writers’ Centre blog, has published my book review of The Alphabet of Light and Dark by Danielle Wood. Check it out here (or if that link doesn’t work, http://www.writingbar.com/2012/03/book-reviews/book-review-the-alphabet-of-light-and-dark-by-danielle-wood/).

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